The oil and gas extraction technique known as hydraulic fracturing, or fracking, is no stranger to environmental controversy, but it’s hardly standard material for a Hollywood drama.
The Los Angeles Times reports, however, that the Academy of Motion Picture Arts and Sciences, the body that determines who takes home the hardware on Oscar night, might get drawn into a fracking fray by an energy industry group.
At issue is the documentary film “Gasland,” which has been nominated for an Oscar in the documentary category.
The inspiration for the film came to director Josh Fox when he learned that a fracking zone had been established near his home in Pennsylvania. To learn more about the process, Fox — whose previous film, “Memorial Day,” was about the Abu Ghraib prisoner abuse scandal in Iraq — visited fracking sites around the U.S.
Gasland’s critical view of fracking is reflected in a scene included in the movie’s trailer: A man in Fort Lupton, Colo., lights his tap water on fire, with the implication being that fracking contaminated his well with methane.
Fracking is a process of injecting water, sand and chemicals into rock formations at high pressures, which creates underground cracks that aid in the extraction of gas and oil. Environmentalists and safety advocates say the process can contaminate ground water in the communities living near the fracking sites.
But Energy in Depth, a group that represents the Pennsylvania Independent Oil and Gas Association and other energy industry organizations, says that the academy would be wrong to consider “Gasland” a documentary.
In a letter, the group’s executive director, Lee Fuller, called the film “an expression of stylized fiction” and said it was filled with “many errors, inconsistencies and outright falsehoods.”
Fuller went on to suggest that the academy create a category for propaganda, and wrote that “this nomination is fitting, as the Oscars are aimed at praising pure entertainment among Hollywood’s elite.”
The comments didn’t seem to rattle Arnold Schwartzman, a member and former chairman of the academy’s documentary film screening committee. He told the Times: “I don’t think the academy’s role should include that of an investigation agency.”
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